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(He later confessed his regret over not speaking to Winehouse about his own struggles with addiction during their recording session for 'Body and Soul' shortly before her 2011 death.) Cheek to Cheek, his 2014 collection of jazz standards with the artist formerly known as Stefani Germanotta, showcased the younger singer's surprising range and also debuted at No. 1 of his career at the age of 85 but also introduced him to a key future collaborator, Lady Gaga. That equally starry sequel - Aretha Franklin, Amy Winehouse, and Willie Nelson were among the bold-faced names on its track list - not only gave him the first No. Duets: An American Classic, recorded to celebrate his 80th birthday in 2006, with guests including Bono, Barbra Streisand, Paul McCartney, and Elton John, would become one of the most successful recordings of his career, winning a Grammy for Best Traditional Pop-Vocal Album and spawning a follow-up five years later, Duets II.

His track 'I Left My Heart in San Francisco' only just cracked the top 20 when it was originally released in 1962, though it would go on to become one of his signature songs.Ī post shared by Tony Bennett charming and voluble guest, he became a regular on late-night talk shows and made memorable cameos in films including Bruce Almightyand Analyze This, while continuing to turn out well-received tributes to the likes of Duke Ellington and Billie Holiday.

He used the GI Bill to study singing, and by 1949 was signed to Columbia Records a string of popular hits followed and by the mid-1950s, Bennett began to widen his musical reach, exploring jazz and swing with the likes of Count Basie and Art Blakey and developing his chops as a live performer. Bennett, who is survived by his third wife, Susan Benedetto, and four grown children, died Friday following a battle with Alzheimer's at the age of 96, his publicist confirmed to EW.īorn Anthony Dominick Benedetto in 1926, the grocer's son from Queens, N.Y., served as an infantryman in Germany during World War II.

For many, Tony Bennett was the last of a breed of velvet-voiced, impeccably elegant crooners who ruled America's mid-century musical landscape - and indeed, he remained active and culturally relevant well into his ninth decade.

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