another word for running away for vacation

Miller’s vision is an earnest and high-minded one, with more insights about humanity and storytelling packed into a tossed-off moment than most entire films contain. Whether they can harmoniously coexist in the modern world, full of so many busy frequencies and electromagnetic fields, is another question altogether. In hearing the Djinn’s story, Alithea comes to understand her purpose, which is to love him. Rendered with stunning beauty and daring visuals by Miller, these 3,000 years of history, from the Queen of Sheba through various slaves and sultans and trips to the bottom of the Bosporus, explore the danger of wishing and the undeniable power of desire. The pair, clad in white hotel robes, sit for a chat, and the Djinn tells his story, of the three times he’s been “incarcerated” in his bottle, and the danger of wishes unfulfilled, which rob him of his purpose. Alithea declines, insisting that stories about making wishes are cautionary tales, and there’s really nothing she needs or desires in her independent, solitary, academic life. The Djinn ( Idris Elba), explodes into her hotel room, requesting that she make three wishes. The story inside Alithea’s belongs to the main djinn she encounters after purchasing a mysterious glass bottle in a bazaar and scrubbing it clean. While giving a talk about the continuing purpose of myth in our modern, science-based world, she is spooked by a djinn in the audience and faints.

Upon arrival, she starts to encounter mysterious, magical figures, what she calls djinn (another word for “genie,” referring to the Muslim belief in invisible spirits that inhabit the world and take the form of humans or animals). The outer layer is told by Alithea ( Tilda Swinton), a narratologist who has made her way to Turkey for a conference.

It is a nested Matryoshka doll of stories. Byatt, adapted by Miller and Augusta Gore, “Three Thousand Years of Longing” is a philosophically ambitious project, a cerebral exploration of the function of storytelling in human existence and the meaning of desire.

Australian filmmaker George Miller’s latest cinematic exploration of humanity is a far cry from the dusty, diesel-fueled “Mad Max” franchise for which he is known, and it proves a moment of respite between 2015’s “Mad Max: Fury Road” and the currently filming prequel to that film, “Furiosa.”īased on the short story “The Djinn in the Nightingale’s Eye” by A.S.

Another word for running away for vacation